Artist Bio
Paolino Tuason, a fine artist from the Philippines, currently calls Savannah, GA home as he delves into the world of painting at the Savannah College of Art and Design. His journey has been one of constant movement, a nomadic exploration that has seen him traverse diverse lands and cultures, each leaving its mark on his artistic process or expression. Immersed in the tapestry of global society, Tuason's work is a testament to the experiences he has encountered. Tuason enjoys contextualizing the growing value of the Filipino culture and environment. With a brush in hand, he weaves together the colors and emotions of his travels, creating canvases that exemplify harmony across different cultures. In his art, Landscape meets portraiture, each stroke telling a story of personalities, experiences, and the shared humanity that transcends borders. The contrast between abstract and realism, drawing or painting, the push and pull of concepts and ideas is a constant occurrence in his studio and professional practice. Through Tuason's eyes, the canvas becomes a mirror reflecting the interconnectedness of us all, a reminder that despite our differences, we are bound by the threads of human experiences.
Artist Statement
Screens have become woven into the fabric of modern existence, functioning as essential conduits for information, entertainment, communication, and labor. Their presence in our daily lives is pervasive, from the small, handheld devices in our pockets to the towering digital displays that are visible in public spaces. Yet, the very definition of what constitutes a "screen" has transformed over time. Once a term associated with protective windshields or architectural elements, the concept of a "screen" has evolved into a technology-driven tool of mass mediation—serving as the interface through which much of our engagement with the world is filtered.
Today, the word “screen" produces images that occupy our smartphones, computers, and televisions, these devices offer ways we can engage and experience reality. This shift—from a literal, physical object to a digital, immaterial gateway—speaks to a deeper cultural shift in how we perceive our relationship with technology. Despite the advancements in screen technology, the pervasive influence of screens is not without consequence. The constant exposure to digital devices can manifest in physical discomforts, such as headaches and disruptions to our circadian rhythms, as well as more subtle effects on mental health, including heightened anxiety, diminished attention spans, and a sense of disconnection from the present moment.
This intricate entanglement between screens and human experience reveals a paradox: while these devices are designed to connect us, they often leave us feeling fragmented, both within ourselves and with others. The overuse of screens disrupts not only our physiology but also our mental and emotional equilibrium. In my work, I seek to tackle the complexities these screens provide. By focusing on the often-overlooked consequences of digital interaction, I intend to uncover the underlying tensions between connectivity and isolation, engagement and detachment, presence and absence. Through an examination of the physical and psychological effects of screens, I invite viewers to reflect on space where we can consider the role these technologies have on our lives.